El cartel número 1, titulado ‘Mañanas sanfermineras’, ha sido el elegido como imagen de las fiestas de San Fermín de 2017 tras recibir el 27,4% de los votos de las 5.682 personas que han participado en el sufragio popular. El autor es Maximiliano Cosatti nacido en Argentina en 1979 y afincado en Pamplona desde hace 4 años. Ha participado en la rueda de prensa en la que se ha dado a conocer el ganador junto con el alcalde de Pamplona, Joseba Asiron, y la concejala delegada de Cultura, Política Lingüística, Educación y Deporte, Maider Beloki. El premio está dotado con 3.600 euros.
Maximiliano Cosatti es titulado en Diseño y promoción publicitaria, labor profesional que desarrolló en Argentina. En 2016 diseñó un sello en vigor, ‘Universo Cervantes’, tras quedar primer clasificado en el II Concurso Nacional de Diseño de Sellos ‘DISELLO’ organizado por Correos. Un cartel suyo, ‘Solo faltas tú’, ya estuvo seleccionado el año pasado entre los 100 finalistas y fue expuesto en la campaña en la que los carteles se colocaron en comercios de la ciudad en la Peluquería Jara’s de Mendillorri.
En la votación de este año, abierta a las personas empadronadas en Pamplona y realizada entre el 11 y el 27 de abril, han participado 5.682 personas, 396 menos que el año pasado cuando fueron 6.078 personas, la segunda cifra más alta en los 9 años de votaciones. En 2015 participaron 5.124, en 2014 fueron 3.474 y en 2013 se contabilizaron 4.964 votos.
Los carteles reciben entre 1.558 y 94 votos
El segundo cartel que más votos ha recibido, 972, ha sido ‘9 días de taquicardias’ (el número 2 también en el orden de las votaciones) creado por Amaia Arrarás de María (Pamplona, 1983) y Fernando Hernández Mañú (Pamplona, 1981). Con 851 votos y el 11,2% del total ha quedado el cartel número 5, ‘Hnos. Aldaz Remiro’, de Koldo Aiestaran (Pamplona, 1966) y Sisku Simon (Barcelona, 1982). El cuarto más votado ha sido ‘Pulsaciones’ de Andrea Galar Domingo (Pamplona, 1991) con 664 votos, seguido con 637 votos por ‘Lo esencial es invisible a los ojos’ de Sergio Moleres Tabar (Pamplona, 1976) y ‘Uno de Nerea, Dos de Fabiola, Tres de Miren, Cuatro de Ana, Cinco de Rania, Seis de Josefa, Siete de Julia San Fermín’ de Pablo Errea (Pamplona, 1974) y Unai Beroiz (Pamplona, 1982) con 540 votos. Marta Martínez García (San Adrián, 1980) es la autora de ‘Sentí por mis venas un San Fermín’ que ha sido elegido por 366 personas y Mireia Arbizu Arbonés (Lleida, 1978) la de ‘Pobre de mí’ que ha obtenido 94 votos.
De todas las personas participantes, 4.218 (74,2%) han votado a través de internet en la página web municipal www.pamplona.es, un porcentaje algo superior al del año pasado cuando fue del 72%, y al anterior que estuvo en el 70%. Además, 1.369 personas han acudido a los civivox a dar su voto, lo que supone el 24% (frente al 23% de 2016 y el 28% de 2015), y 95 llamaron al 010 (1,6% este año, 5% el pasado y 2% en 2015).
Caravinagre, por tercera vez en cinco años y quinta desde 1900
Ésta es la tercera vez en los últimos cinco años en la que Caravinagre anuncie las fiestas de San Fermín y la quinta desde el año 1900. En 1997, Joseba y Mitxelo Gurrutxaga ganaron el concurso con un cartel que recogía la cabeza del kiliki y su mirada desafiante sobre fondo rojo. Medio siglo antes, en 1947, José Luis y Juan Mª Cía incluyeron al kiliki en el cartel anunciador de las fiestas en una estampa junto a un niño que le agarraba del pelo para evitar los golpes de la verga. En 1984 Caravinagre aparecía dibujado en la obra ganadora, aunque acompañado también por el santo, los toros y otros miembros de la comparsa. En 2012, el diseñador navarro David Alegría ganó la votación popular con ‘Te quiero en San Fermín’, un cartel en el que aparecía un kiliki retando con un dedo a quienes quisieran participar en las fiestas y la leyenda ‘I want you for Sanfermines’, en una obra que recordaba al icono del tío Sam norteamericano. Por último, ‘Kilikón’, obra del pamplonés Javier Erice Larumbe, fue la imagen de las fiestas de San Fermín 2015. La obra más votada en aquella ocasión es un cuadro pintado al óleo con el perfil del popular kiliki y, frente a él, la silueta en negro de un niño haciéndole la burla.
La importancia de los kilikis y cabezudos en la comparsa y en la fiesta ha hecho que hayan aparecido reflejados en carteles de distintos momentos de la fiesta. Por ejemplo, desde 1900 aparecen en el cartel de Javier Ciga en 1920 con el ‘Barbas’ como protagonista; en el de 1941, de Pedro Lozano, con el ‘Alcalde’; o los de 1935 (José Luis Elvira) y 1951 (Martín Balda y R. Millar) que retratan la figura de ‘Patata’.
Participaron 371 obras con 176 de Pamplona
Este año se recibieron para participar en el concurso 371 obras, cinco menos que el año pasado, y la cifra más baja desde 2001, cuando se presentaron 362. De ellas 176 procedían de Pamplona, un 47,44% del total, y 83 de otras localidades navarras. La Comunidad Foral aportó casi siete de cada diez trabajos presentados al concurso en esta edición. De Navarra procedía, por tanto, 259 (un 69,81% del total) que hay que sumar a los 108 que llegaron a la Ciudadela de otras autonomías españolas. Los carteles nacionales suponen 367 de los 371 presentados (98,92%), ya que otros cuatro han llegado desde otros países.
Civivox Condestable acogerá desde mediados de junio una exposición con los 24 carteles seleccionados por el jurado entre los que se encuentran los 8 finalistas. El jurado estuvo presidido por la directora de Cultura, Política Lingüística, Educación y Deporte, Maitena Muruzábal, y contó con cinco profesionales del campo del diseño, la comunicación o las artes plásticas, además del técnico de Artes Plásticas del Ayuntamiento de Pamplona. Los cinco profesionales fueron Mikel Mendibil, uno de los autores del cartel del C.P. Buztintxuri ganador el año pasado, Eugenia Cervera, Pedro Osés, Myriam Cameros y Sagrario San Martín. Por segundo año, el jurado ha estado compuesto íntegramente por personal técnico y expertos, sin presencia de representantes políticos.
Votación popular cartel San Fermín 2017
Anteriores votaciones populares
Carteles y autores
Nº 1 – 41 – Mañanas sanfermineras. Maximiliano Cosatti
Nº 2 – 102 – 9 días de taquicardias. Amaia Arrarás de María y Fernando Hernández Mañú
Nº 3 – 212 – Uno de Nerea, Dos de Fabiola, Tres de Miren, Cuatro de Ana, Cinco de Rania, Seis de Josefa, Siete de Julia San Fermín. Pablo Errea y Unai Beroiz
Nº 4 – 213 – Pulsaciones. Andrea Galar Domingo
Nº 5 – 269 – Hnos. Aldaz Remiro. Koldo Aiestaran y Sisku Simon
Nº 6 – 272 – Sentí por mis venas un San Fermín. Marta Martínez García
Nº 7 – 279 – Lo esencial es invisible a los ojos. Antoine de Saint Exupery. Sergio Moleres Tabar
Nº 8 – 314 – Pobre de Mí. Mireia Arbizu Arbonés
Carteles seleccionados para la exposición del Palacio del Condesable
“When looking back doesn’t interest you anymore, you’re doing something right.” Anon.
Around a decade ago there was a lot of dissatisfaction aimed at the moves to make the encierro safer around La Curva. The use of a coating on the street to give the bulls more grip was at the heart of this change. Whether or not it was the only factor, there was certainly something going on and morning after morning the bulls seemed to be going around La Curva cleaner than they ever had, the occasional exception noted. At the time I wrote a piece asking; “What future now for La Curva?” The famous “threading the needle” run from the doorways of Mercaderes and up onto Estafeta was gone, perhaps for good. The photographers massed on the barriers are still able to capture images fit for the newspapers, but the heyday of running the curve is gone.
This has caused a lot of heartache but also a lot of denial as runners cling on to the past and find themselves trying to reproduce it, but only end up standing the street as the arse-ends of cattle move swiftly away from them. There are runners who want a return to the old days and would rather the manada broke up on the walls of the famous curve, but it seems that the current state is here to stay, for a while at least.
Pamplona and the fiestas have been changing for as long as anyone can remember, and even longer than that. In some ways the changes are glacial – a small element here and there – a new feature, a new rule, a new bar, a new venue. Other changes are swift and sure but are absorbed into fiestas with barely a second glance. Remember when the bandstand was abandoned for the huge stage in the Plaza del Castillo?
Other changes feel more significant such as the bulls on La Curva or the red line down on Santo Domingo.
Over the years there have been some very dramatic changes. The txupinazo was nothing like the spectacle it is now and evolved through various stages, including a man letting off a rocket in the Plaza del Castillo surrounded by a small group of bemused children, eventually reaching the mass participation event it is now. The encierros have also moved hours not once but multiple times to reach the 8am start that is in place now. High kerbstones and round cobbles have been replaced by flatter pedestrian areas and even the encierro route has changed significantly, the last time being in the 1920s.
Some will argue, and with justification, that the changes are not always justified and are often for more sordid reasons. In Pamplona this will often come down to money and reputation. The Ayuntamiento does not want to have the stigma of deaths on its hands and so is likely to keep making changes to ensure the encierro is safer and safer – the cost of popularity. Other changes are to extract every last Euro from the pockets of the million people that turn up to party in the old city. It is certainly the case that not all changes are for the better, no matter how inevitable they are, and not all changes are done with an honest and transparent intent.
Many changes are received on a personal level. Old timers will particularly bemoan the loss of Casa Marceliano on the Calle Mercado off Santo Domingo. This bar and hostal has a kind of legendary status among the long-standing fiesta lovers as being a famous hangout, bed for the duration of fiestas, or perhaps just one night, and spiritual home of a number of fine American and Western bull runners until it was closed down in 1993 and absorbed into the council buildings. Old timers will wistfully talk about the good old days and the strong implication is that if you never drank in Marcelianos then your history is not worth considering. An elitism grows up around the past as a clique of the chosen ones looks down patronisingly at the newcomer wannabes. Yet all is in constant flux and the fashionable bars often fade out of favour as other places drift into the sphere of influence. It is not uncommon to see lone old timers sitting grimly outside Bar Windsor, gravely clinging onto the past.
It is understandable. Humans have a reluctance to change and to move on. There is a very natural desire to yearn for “the good old days”, but we do this with blinkers, ignoring or forgetting those parts of the past which, if we had to live with them again, we would find intolerable. John Green rightly said that “Nostalgia is inevitably a yearning for a past that never existed.” Memory is selective and tends to favour the positives over the negatives. We view the past from our comfortable middle age, our affluent self-confident and our assumed wisdom, forgetting that 20, 30, 40 years ago we were not affluent, confident or wise. Sure, we were young, but we did not truly know what to do with it and now we are left mutter variations of the classic lines from Elizabeth Akers Allen; “Backward, turn backward, O Time in your flight, make me a child again just for tonight!”
Karen Ann Kennedy sums it up very nicely when she says:
“There is a difference between thinking about the past and living in it. Sometimes we live in the past because it’s familiar – we know what happened; there are no surprises.”
She goes on to say:
“Living in the past is a problem because it robs you of the opportunity to enjoy the present.”
I would go a step further when it comes to San Fermín. Living in the past only encourages a new generation to venerate something they never witnessed, to aspire to something that is long gone and to disown the present. In doing so this deprives us of the honest happiness of the future.
“Tout passe, tout lasse, tout casse…” goes the French proverb, and it is true.
Whenever we are faced with change we go through a curve taking us from denial, to resistance, to acceptance and finally to moving on. How quickly we move through the change curve depends on many factors, not least how invested in the change we are personally. We can move through quickly, unconsciously even but if things go wrong or we hate the change then we can be stuck in different stages like an old timer, sitting alone outside a bar, still thinking that it’s 1969.
That’s not to say that there is no place for nostalgia and romance. These are a pair of benevolent old souls that visit us from time to time. We should always humour them, listen to them and smile at their stories, but then we should wave them farewell until they pass our way again.
San Fermín will go on changing and there may be some intolerable changes to absorb. Consider that in San Sebastian de los Reyes they have moved the encierro to 11am. Imagine that in Pamplona if you can. And, horror of horrors, one day we may have to face the ultimate change in the loss of the encierro totally. Younger and younger people will come to fiestas and they will care less and less for your history, your traditions, your stories and particularly the way you think fiesta ought to be enjoyed. What will you do? Will you stubbornly hide away under the shadow of huge parasol, mulling over the past, or will you embrace the change?
As Alan Watts said:
“The only way to make sense out of change is to plunge into it, move with it, and join the dance.”
Dear Fiesteras and Fiesteros: This was written about two months ago, for the second of the second, yup, Escalera Day, but due to Mr. Testis being rather busy in his Bulldom, we’ve had to wait a while before it could be put onto the Sanfermin.com pages. However, with the arrival of the fourth of April and hence Escalera Day numero cuatro…here we go. Hey ho, let’s go and Ya Falta Menos!
It’s the second day of the second month as I write this and the Escalera to fiesta has well and truly begun, and at this time of the year up here in my tree-tower eyrie near the River Thames, with Hampton Court Palace but a mile away as the eagle flies, my thoughts turn as ever turn to Pamplona.
So although the countdown to San Fermin has already started, there’s still awhile to go of course which always makes me feel like I’m fiesta-floating, adrift on a sea of shifting calendar dates that slowly slide by with the tide…still heading towards land, (i.e: Pamplona) but with a fair bit of drifting to go before I make landfall. In July.
So I read, and I write, and I dream. Talking of reading, I love books. A few years ago, one of these articles was made up purely about Fiesta books. This one isn’t going to be like that, but I am going to mention a couple of books that you may like. I know I did. They are not particularly about Pamplona or San Fermin, but just have Spain as the common background, to give us that tantalising taste of the flavour of fiesta to come.
Winston Churchill said about books: ‘’If you cannot read all your books, fondle them, then peer into them, let them fall apart where they will, read from the first sentence that arrests the eye, set them back on the shelves with your own hands, arrange them on your own plan, so that you at least know where they are. Let them be your friends; let them, at any rate, be your acquaintances.’’
Personally, to take me away from everything, nothing beats a good book. They just work for me. If you should happen to get around to any of the ones mentioned, I hope you enjoy them as much as I did.
As so often with these Sanfermin.com scribbles, this one is going to be a bit of a mixed salad, and so I’m also going to write about a wee bit of rocket. No, not the lettuce, foodies, but the chupinazo, fiesteros. For those that don’t know yet, Fiesta begins at midday on July 6th with the Chupinazo, and the launching of the first – but only one of many – rockets from one of the town hall’s balconies. I’m just going to dip into the history of it a little bit…which will give me a chance to nip back into the past, too, which I always enjoy.
Then comes the book bit, but after that, something new that I’m really chuffed about, which I’ll return to occasionally, maybe even in every article I do for Kuku. I’ve given it the title ‘The Drifter,’ which, as will become clear when you read it is rather apt, as my first victim, sorry, guest, is the one and only, inimitable and inestimable, Rolf von Essen. Although his first San Fermin was in 1959, he was one of the group that also happened to hang around Torremolinos in the 60’s…
… Which is where the gang that appear in James Micheners’ book ‘The Drifters’ also first meet up. Which also happens to be the book that changed my life, as the first place that the characters in the story travel to after Torremolinos is Pamplona. In July. For Fiesta… And thus my life was altered for ever.
But first, a bit of rocketry.
ROCKET ENGINEERING – IT’S ALL PART OF FIESTA SCIENCE!
Okay, let’s get one thing straight. The phrase ‘it’s not rocket science’ is wrong. My brother Mike taught me it should be; ‘it’s not rocket engineering.’ Why? Because when we say ‘’it’s not rocket science’’ we mean that something isn’t difficult…like building a rocket obviously is. Ah ha! So there we are.
Here’s the pedantic point: Rocke engineering is the building of the rocket…a very tricky thing to get right…and rocket science is the actual getting it to where it’s going! (Quite a difficult thing too, probably, it has to be said…)
Thus is stands to my (fairly warped) reason… There are many, many things that make up fiesta – the chupinazo, the encierros, the corridas, the peñas, and a thousand and one other things…and all these are the cogs in the machine, the engineering, that make up, and get us to where we want to be…to the extraordinary, chaotic and organised anarchic science that is Fiesta! Although I’ve also often written…San Fermin…you just couldn’t make it up.
So, the Chupinazo. From the very beginning of the year, with the 1st of January and the first day of the Escalera, a small, invisible rocket goes off inside my head with a little bang… a rocket that goes off again on the 2nd of February, and then again on the 3rd of March, the bang each time increasing in volume until the 6th, when it’s very loud and I know that the next time I hear those rockets it’ll be midday on July 6th, and they won’t be imaginary ones in my head but real ones. Because that’s when Pamplona’s own version of the Big Bang erupts and the old world stops for nine days and nights, and the city slips off its cosmic axis and our universe goes spinning out of control as San Fermin and The Giants come out to play.
Just why do they launch a volley of rockets into the sky at midday on the 6th of July to herald the start of the world’s greatest fiesta? It might seem obvious in this day and age – ‘’oh, we have an event going on, let’s baptise it with a bang and make some noise’’ – but it wasn’t always thus.
No. But unsurprisingly for Pamplona and the inmates that live within…it all started with some locals.
We’re so used to some of the fiesta traditions we’ve grown to know and love that we can end up just taking them for granted and assuming things were for ever thus. Like the rockets launched off the town hall main balcony at midday on the 6th, for example. But actually, that act of fiesta only became an official part of the festivities in 1941.
Although there are slightly different versions, it seems that the first time rockets were launched at the beginning of fiesta it was down to a company called Oroquieta, who perhaps unofficially decided it would be a good idea to start San Fermin with a bang, and so they did…from the Plaza del Castillo.
This was done for many years from at least 1901, until with the arrival of the 2nd Republic, and a well known republican called Etxepare decided to make things more official and gave the act a name. (No where can I find out if this was ‘Chupinazo’ but hey, we’re getting there.) It was still being done in the Plaza del Castillo though, and carried on until the fiesta of 1936.
After that, the bleak clouds of Civil War came, Etxepare was shot, fiesta was suspended for a couple of years as the shadows enveloped, and blackness fell…and no doubt somewhere in that darkness, San Fermin cried. Light returned in one form or another and fiesta was back for 1939, when a councillor, Joaquin Ilundain, gave himself the honour of lighting the first rocket, still in the square I believe.
Then, along with a journalist, Jose Maria Perez Salazar, they promoted the idea of making the whole thing more organised and become an official part of the ceremonies…and so it came to pass that in 1941 the rocket was launched, for the first time, from the balcony of the town hall…and the Chupinazo as we know it was born. And that, chicas and chicos, is how it has been done ever since.
There was only one year it wasn’t launched from the Ayuntamiento in the Plaza Consistorial, and that was in 1952, when the old building was being renovated. For that year the Chupinazo was launched from the balcony of the temporary town hall buildings they were using, located in the Plaza del Vinculo, (then called the Plaza de la República Argentina) which is just off the Paseo de Sarasate, near the big old Correos, the main post office.
And a fitting place it was, too, actually, because way back when, between 1849 and 1852, that very place happened to be where a temporary bull ring was erected while the ‘new’ one, (1852-1921) was being constructed. What goes around can so often come around again and once more, sometimes you just couldn’t script it.
A BOOK OR THREE
I’ve done the occasional book review before but these aren’t reviews, I’m just going to mention briefly three books that I think are worth a read. None of them are particularly Pamplona related, they just have an Iberian flavour to them to tickle your fiesta taste buds.
In the ‘definitely worth a read’ category are two books by Mark Oldfield, but the great thing here is there is going to be a third, as they are part of a soon to be completed trilogy. As always, whether I know the author or not, (and I know Mark) I will be honest in what I say. Happily, with Mark’s books…I love ‘em!
‘The Sentinel’ was the first, published in 2012, followed by ‘The Exile’ in 2015. The books sprawl through Spain’s recent history, from 1936 and the Spanish Civil War, to the mid –fifties and Franco’s dictatorship, and then present day Spain.
There are two main protagonists, Comandante Leopold Guzman, head of Franco’s secret police in the 1950’s and easily one of the most evil, heartless and cruel baddies ever invented, and forensic investigator Ana Maria Galíndez, of the present day Guardia Civil
The Sentinel begins the story, interweaving the three separate timelines effortlessly and intriguingly, without ever getting so complicated that one literally loses the plot. In this short space I can’t begin to describe what goes on, suffice to say the dictatorial days of Spain under Franco are truly brought to life, while all the time keeping the page-turning suspense and the ‘what’s-going-to-happen-next‘ feeling going…it’s a real humdinger of a book
In ‘The Exile’ our evil anti-hero, Guzmán, is transferred to San Sebastian and the Basque Country, where the story carries on, and where the mysteries pile up, and Guzman’s past begins to catch up with him. Now, I’ve obviously never been to the Basque Country in the 1950’s, but the beautiful city of San Sebastian and the gorgeous surrounding countryside are brought vividly to life – or should that be death – by Oldfield’s atmospheric encapsulation of a ‘foreign’ city (it’s Basque, after all) and the surrounds under Franco’s oppressive occupation and bloody jackboot.
Regarding ‘Sentinel’ The Guardian said, ‘Polished and impressive.’ The Literary Review wrote, ’Remarkably accomplished. An atmospheric picture of a country still scarred by its past.’ The Daily Mail: ‘A sprawling, striking debut, superbly told, with a fine villain at its heart. This is a remarkable thriller.’
About ‘Exile’ The New York Journal of Books said’ ‘Powerful, hypnotic…filled with the horror of conflict, treachery, and intrigue.’
Well done Mark, (who, by the way, has been to San Fermin about 14 times over the last 40 years) those are two cracking novels and I honestly can’t wait for the final book in the series.
The third book is by that well known Sanferminero and internationally renowned photographer, Jim Hollander. Amongst certain fans of fiesta his door-stopping tome, ‘Run To The Sun’ is a classic, (and well worth the aircraft ‘excess baggage’ weight fee you may have to pay!) but it’s not that one I’m here to write about as I’ve written about it a couple of times before.
Nope, it’s his latest one, ‘From Pizarra to Pamplona.’ This is a delightful book that, although only published last year, was actually ‘written’ in 1973. The words are from a diary the then 23 year old Jim kept, and the photos are those that he took along the way. Oh, ‘the way?’
Well, it’s in the title, of course, but ‘the way’ was a 1000km horse ride the Hollander family undertook from Pizarra, near Malaga on the southern coast, to Pamplona, fabled capital of Navarra, over the course of several weeks. I first read it just before last year’s Fiesta, and again just recently. While none of us can write like Shakespeare or Cervantes of course, it’s a remarkably well written and smoothly flowing diary that paints a wonderful picture of the adventure, just as sure as his photographs do.
It’s a gentle, leisurely, clip-clopping hoof through a Spain that was about to change forever, due to the death of the dictator a couple of years later and the arrival of the country into the European Union just over a decade after that. I wrote this somewhere else, but I love the bit near the end of the journey – but not the end of the book – where he writes: ‘Before arriving in Tudela we cross into the Province of Navarra – BIG SMILES!’
Whether you’re stuck in a northern hemisphere winter and want a slice of sizzling Spanish sun, or are a southern hemisphere dweller yearning for some memories of the Land of Fiesta, and Siesta, and so much more…this is a great, not so much ‘off-the-wall’ but from-the-saddle wee travel book and I love it. And always, always…the Land of The Big Smile awaits.
In a previous life I was a courier, driving around the UK in a small van. When I was stuck in London or the Home Counties I used to listen on local BBC London Radio to a chap called Robert Elms. He has a great show, (he also happens to be a fluent Spanish speaker and is a bullfight aficionado, but that’s just coincidence, and I believe a couple of you out there know him) and once a week he has a slot called ‘Listed Londoner.’
A guest, always someone who has ‘done’ something, is invited on to the show, who lives, or has lived, in the city, whether born there or not, and is asked a series of questions, the ‘list’ about London. Well, with apologies to señor Olmos, I’ve borrowed the idea and transferred it to Pamplona, Navarra, Fiestaland.
(As an aside, I’m writing this bit on Monday 6th Feb while listening to the Robert Elms Show and his Listed Londoner today is a lady called Jumoke’ Fashola. And I like the fella even more now, as he’s just said – and all my friends who know what a techno-numpty I am will understand this – that he doesn’t have a mobile phone. Top man!)
Back to Pamplona. I’ve chosen Rolf von Essen to be Driftero Numero Uno for many reasons, but they’re all encompassed by one thing: of all the foreign fiesta-folk I know, he has been going the longest. So it’s because he knows a lot, has done a lot, has massive enthusiasm for all things Iberian and taurine related…and because he’s a mate.
He hasn’t been able to make it back for the last couple of years due to his keeping the nurses busy in his native Sweden, but boy does he have some stories to tell about his travels and experiences over his 50 years plus being immersed in the Iberian and taurine world.
Remember, too, that this part of the piece is just one short snippet of his life concentrated on Pamplona. Those of us who have seen a few of his other stories on social media have read a smidgen more of his adventures, and the following comprises just a mere fraction of that smidgen that makes up the Pamplona portion of his life.
So, hey ho, let’s go. I’ve written it and said it before, and whether one likes the phrase or not – there are certain folk who I think of as Pamplona Royalty, and Rolf is certainly one of them. And so, señoras y señores, indeed damas y caballeros, and perhaps, as I regard some Sanfermineros as Pamplona Royalty, duquesas y duques, it’s time for my very first ‘Fiesta Drifter.’
And for the very last time shall he be known as Rolf von Essen, because from now on he will be known by one or two of his many nom-de-plumes, nom-de-guerre’s, nom-de corrida’s and indeed, noms-known-by-the-authorities…
Take it away, Rey Rolfo…
RODOLFO VON ESSEN – El Niño de la Caseta.
Okay folks, here’s the first paragraph that Rolf sent me about himself, which I hope will encourage you to click on the link after it, to read more about how he fell in love with the bulls, the bullfight, ‘el mundo taurine’ and hence, of course…’el arte.’
ROLF: Foreign Languages, I speak 8. I have lived under 4 wars: The Finnish Winter War, WWII, the Katanga War (the Congo), and the drug related and guerrilla controlled war condition in Colombia in the 1980’s. The guerrillas used to partly finance their operation by the kidnappings of foreigners against ransom. It happened to several of my colleagues, some of them never returned.
My first registered reminiscence of bullfighting dates from August 29th or 30th, 1947, when a Stockholm newspaper… (Tim: click here for the story in full, folks.)
Tim 1: What are your five favourite books to do with what I call ‘Fiestaland.’ (Spain, Iberia, Navarra, etc.) Perhaps a taurine book, a fiesta book, a fictional book, a factual book, any other relevant and related book…the choice is yours to mix and match as you please! Rolf 1: Five favourite books: 1: LOS TOROS by José María Cossío. 30 volumes. 2: IBERIA by James A. Michener. 3: ‘The Drifters’ by James A. Michener. 4: ‘The Sun Also Rises’ by Ernest Hemingway. 5: ‘Death in the Afternoon’ by Ernest Hemingway. 6: BRAVE EMPLOYMENT by Walter Johnston.
Tim – That’s six books Rolf! And apart from the Cossio 30 volumes, I’ve got the others of course!)
Tim 2: Favourite Pamplona or San Fermin book. (Okay Rolf…books!): Rolf 2: The Drifters by James A. Michener. 2: Las Bodas de Pamela by Hans ‘To-To’ Tovoté. 3: PAMPLONA by Ray Mouton
Tim 3: Favourite Fictional Sanferminero: Rolf 3: Harvey Holt, “The Tech Rep”, from The Drifters. Tim – Ha! Had to be. A great choice.)
Tim 4: Favourite fiesta/taurine film or documentary: Rolf 4: Blood and Sand (1941) directed by Rouben Mamoulian. Starring Tyrone Power, Linda Darnell, Rita Hayworth, Anthony Quinn.
Tim 5: Favourite Spanish music/band/singer. Rolf 5: Manolo Escobar, El Camarón de La Isla and Raimundo Lanas.
Tim 6: Favourite San Fermin real life foreigner of film, music, writing, etc. Rolf 6: Orson Welles.
Tim 7: Favourite torero(s) and favourite plaza de toros, including the present day and the past. Rolf 7: Favourite toreros of the present day: Morante de La Puebla, Talavante, and Andrés Roca Rey. Favourite plaza present day: La Real Maestranza de Caballería de Sevilla. Bullfighter of the past: Antonio Ordóñez Araujo. Plaza of the past: La Monumental de Barcelona.
Tim 8: Favourite bar in Pamplona. Rolf 8: Bar Fitero, calle Estafeta.
Tim 9: Favourite restaurant: Rolf 9: In the past: Hartza (Cuesta de Labrit.) Las Pocholas (El Rey Noble) when it was on Paseo Sarasate. Casa Mauleón. Casa Marceliano. Otano. Aralar. Amostegui.
Present day: Europa, Bar Savoy, San Ignacio.
Tim 10: Favourite trip within Spain. (And a ‘Tim’ note: Please, please read Rolf’s full account of this trip in the extra ‘link’ below!). Rolf 10: El tren Correo, the mail train, Barcelona-Pamplona on July 5th. I am now speaking 1960’s. This was a complete adventure. One could NOT call somewhere and have a ticket reserved, NO, one had to get it in person from the taquilla at the station and not until the very day of departure!
Tim: As mentioned above, folks, please read the full story on the link below. Have you ever had to get out and PUSH the train that was taking you to Pamplona? Rolf has, I kid you not…read on folkshere!)
Tim 11: Invent a pintxo and a brand new fiesta cocktail! Rolf 11: Pintxo: Fresh duck liver, sautéd in water, butter and Oloroso sherry, spiced with black pepper from mill, junipers, sea salt, on toasted white bread. (Superb, Rolf!)
Drink: 10 cl Underberg, a dash of Tabasco, 2 cl Vodka, tomato juice. Shaken, not stirred, served in highball, on the rocks. Kills ANY hangover. The Red Shit of the 22nd century!
(Probably horses, too …)
Tim: Then I’ll try it on a horse first, Rolf…
Tim 12: Spiritual home in Pamplona. (Mine is the grass and gutter opposite Txoko…my first fiesta home!): Rolf 12: Down by the River Arga, camping with the gitanos.
Tim 13: Favourite building in Pamplona. (Could be that bar/restaurant again) Rolf 13: La Casa Consistorial.
Tim 14: Best view in Pamplona: Rolf 14: From the wall, approximately halfway between the Caballo Blanco and the area where the Lost Peña Vodka Party is held. Tim – Si, tio Rolfo, I’m with you there.)
Tim 15: Favourite open space. Rolf 15: Plaza de Los Fueros. Tim: When I asked Rolf ‘why’ there, this is what he wrote.)
Rolf: Por las cojonudas actuaciones de los Dantzaris una vez por feria. What they perform are the timeless, ancient, Navarran – AND Basque – almost acrobatic dances! If one looks at the bodies of the guys, one understands that there is a LOT of physical exercise behind their Arte! – Amazingly, although I’ve seen this sort of thing elsewhere of course, I have never popped up to the Pl. de Los Fueros during Fiesta to see them…but rest assured Uncle Rolf…now I shall!)
Tim 16: If you could travel through time to Pamplona’s past…what era or year would you travel to? Rolf 16: The middle of the 1920’s, when Hemingway got to know it!
Tim – Si señor! And I’ve already been there, once-upon-a-time…)
Tim 17: Most interesting or favourite shop? Rolf 17: The little shop on C/del Pozo Blanco, to the right of Rest. Amostegui, where one can buy all sizes and fashions of txapelas and the original hand made alpargatas and also fajas. Tim – You dedicated follower of fashion, you…)
Tim 18: Favourite Pamplona landmark? Rolf 18: When arriving by car, on the old two lane road from Donostia, the road goes up hill after the railway station and in a curve you see a bit of the old wall that hasn’t been removed – then you know that after the next curve on top of the hill, you will have arrived – YOU ARE IN PAMPLONA!
Tim – Yes! I’ve actually written about arriving in Pamplona, driving along that road before…and when I cross under, and through, the ‘Portal Nuevo’…that’s it…I’m in!)
Tim 19: ‘One more thing…’ (Write anything that springs to mind…if anything does!
Tim: 20: ‘Not a lot of people know that!’ (Similar to above, I’m just experimenting with this last bit, to give ‘the guest’ a chance to write something in his/her own voice.) Rolf – 19 and 20: ‘One More Thing.’ Scenario: THE FISH JACKET. I wake up, having slept on my arms on a café table (THE TRADITIONAL WEE NAP, FOR CHRISSAKE!). It’s bloody hot, the sun shines awkwardly into my eyes and I try remember who I am and what I am doing on a café table. My black jacket is on the floor between my feet, my travelling bag, by my side, there are some people at my table, I can’t see a thing because of the sun and a MAGNIFICENT hangover, when I recoil for some strange, pink object approaching my face and I hear a deep, male, bass voice say: “THIS IS WHAT YOU NEED, BUDDY”, and, finally, I see a hand holding a glass with some pink liquid and ice cubes. I grab, trembling, the glass and taste the contents – aaaaaaaaaaaaah, sweet, cold and good, I empty it in 2-3 gulps and sit up in my chair, ready to take in the new day!
Tim: If you want some more, with a fiesta cocktail of Welles, Hemingway, Gardener, Ordóñez, Carney…and of course…fish!…then read on here.
Tim 21:‘A secret.’ (Yup, again, similar to the first two…still just experimenting…) Rolf 21: A secret. A VERY hot afternoon in 1962, my future wife and I are sitting at the terrace of Bar Eslava at the Plaza del Castillo. That summer temperature reached 40° Celsius during 2-3 afternoons. Anyway, back to the Eslava. I saw some other guys taking off their shirts, and so did I. Wonderful relief in the heat!
Tim: There’s more, including how to win a free day’s (and night, the full 24 hours!) accommodation during Fiesta. Just click here.)
Tim 22: Favourite Spanish expression, motto, phrase, words of wisdom…or even what you’d like on your Pamplona Plaque!
Rolf 22: ‘¡Los Años No Perdonan!’
Tim: I had this down as ‘The passing years don’t forgive!’ or, as in ‘getting on a bit’ ‘Time Will Tell!’ But no! Rolf told me it means… GETTING OLD SUCKS!)Rolf: On my tombstone I would like the old family joke (in German):
VON ESSEN GEBOREN,
VON TRINKEN GESTORBEN!
Tim: And finally, but briefly… A San Ferscene-ario: What would be your perfect 24 Hours of Fiesta, starting any time of the day or night, but ending 24 hours later.
Rolf: My favourite 24 hrs of Fiesta start at 07.00, when I go to the REDIN to have coffee and Patxarán watching the encierro on their TV. At 08.15 to the Txoko for Kaikú y coñac with the ‘guys’. At 09.00 to La Raspa on C/Merced for el almuerzo de los corredores and improvised jotas from whoever appears of the joteros.
At 12.00 Paseo de Sarasate for a concert of jotas. 14.00 El vermú at the Fitero. 14.30 el apartado. 15.30-17.30 lunch at the Europa. 17.40 quick drink at the Windsor. 18.00 to the bullring. 18.30-21.00 bullfight. 21.30 Al Capone. 23.00 dinner at the Savoy. 01.00 Windsor. 03.00-06.30 all the bars on C/Jarauta. 06.30 catching up with La Pamplonesa at la Plaza Consistorial. 06.30-07.00 Dancing along the streets with the band to the music of their Dianas. My 24 hours are complete.
Tim: And probably, Rolf, 24 of the most perfect but exhausting hours of fiesta anyone could have. Fantástico!
Muchas gracias eta mil esker Rolfo, maestro, torero, fiestero y golfo. What I love about this is that I’ve learnt a lot about some books, films, music and just general ‘stuff’ that I never knew about…and hopefully, as I choose more ‘Fiesta Drifters’ I’ll learn a whole fiesta-full more! Plus, I just love hearing other people’s Sanfer-stories… and Rolf has over half a century’s worth of them.
So that, folks, brings a fitting end to this first ever Fiesta Drifter. Again, my humble thanks and huge gratitude have to go to Rolf, who through a fair amount of difficulty and hassle, along with having to deal with my computing numbnuttery, managed to put together a wonderful drift through a life of Fiesta.
As I mentioned, there is so, so much more to read, really this morsel is just one pintxo on a bar top laden with a multi-coloured rainbow platter of them. Please, please dip in and click on the links to read more about some great adventures Rolfo El Golfo had along the way.
Next time, the Fiesta Drifter might well be Joe Distler… though if he reads what I’ve written above, he might just change his mind…
And finally, in place of the occasional video I sometimes use to end these pieces, a photo from Rolf’s collection. For those of us that know, the three figures are fairly ease to name…but where in Pamplona are they? And no, after three guesses I still didn’t get it… Sanfermineros… ¡Ya falta menos!
A family relation of his tells us that the runner with the moustache and jersey racing in front of the bulls is Paco Gómez, a former goalkeeper of both Osasuna F.C. and Real Murcia F.C.
We have found a vintage postcard on sale at ebay at a price of fifteen dollars and this led us to discover a story that went much deeper than it first seemed. At first sight, it just seemed a nice vintage postcard of a bullrunning event but behind it lies a story about the Pamplona Running of the Bulls and the fiesta report that Janet Harper sent to Jay Culver, one of the most important publishers in New York in those years. The front of the postcard shows a clear, good-quality image of the Sanfermin Bullrunning in black and white, showing a compact pack of bulls and various runners leading them towards the bullring. The background shows an image taken almost straight in front of the runners and the picture was most likely taken from the right side of the fencing just at the place where the present-day Paseo de Hemingway joins the corner of Juan de Labrit Street and it is clearly taken from a low angle. We can see the faces of the runners clearly and it also shows some photographers in their suits, some rather heavily dressed runners and just a few neckties worn by some of the people. If any of you recognize any faces, please let us know by writing to firstname.lastname@example.org. We can also make out in the background the corner where our Kukuxumusu store at 76 Estafeta Street now stands.
However the most interesting thing of all is to be found on the reverse side of the postcard. Here we discover that a certain Janet Harper sent a short note to Jay Culver in New York, all the way from London, dated the 31st of July. The recipients address is listed as 660, First Avenue, in Manhattan, New York. This led us to a possible clue about the recipient who, it turns out had a business there (Culver Service). Further research revealed that this Jay Culver was a founder of Culver Pictures. Ever since 1926 this firm was creating a huge archive of images of the United States at this address in New York.
Janet Harper is clearly excited as she relates her experiences to this important media publisher:
According to an article written by Joe Mysak in the Columbia Daily Spectator on the first of December, 1978, Culver Pictures was as equally big as Associated Press or United press in those years. The receiver of this postcard becomes relevant when we realize that this Janet Harper is letting one of the most important publishers in New York know all about the event that she experienced at the Sanfermin fiestas.
The date year of the postcard?
We have some doubts about the exact year that the snapshot shown on the postcard was taken. It could have been as early as 1933, 1936, or more likely, 1955. The Royal Mail stamp makes it clear that it was posted the same day that it was written, but the lettering does not make it clear whether it is 33, 36 o 55. However, some details might help clarify this point. 1933 is highly unlikely because the stamp of the Air Mail corresponds to UK Inland Airmail Delivery which only came into being in 1934. What is rather misleading is that in the image we sense that there is a second line of fencing on the left side of the image. Other images from 1936 show fencing with many more people on it and not so sparse as can be seen in this postcard image. We do know that the double fencing was first introduced in 1941 after the frightening experience of 1939 when a Sánchez Covaleda bull broke through the fencing in that year, causing great panic and mayhem around the area of the main square. Consequently, it would be best to conclude that the postcard is from 1955 unless some other detail comes to light or our eyes catch some new revealing information.
In 1955, Hemingway had made an appearance in Pamplona for Sanfermin (he returned first in 1953) and many foreigners revived an interest in our fiestas as a result. We know much less about this Janet Harper, but it is clear that she wished to transmit her excitement about the fiestas to this important New York publisher. Harper is a big publishing name in itself as in Harper & Brothers, for example. However, we do not have sufficient knowledge to try to follow up on that line of thought.
The present-day seller of the postcard is a concern called MMG Vintage, one of the specialists in selling in this kind of product on EBay. They usually buy up stocks and then sell the items singularly. They do not seem to see any special relevance into this postcard and it seems to be considered as just one more photo of a running of the bulls.
This postcard is number 260 in the AJSA publication. We have checked out the book on postcards compiled by Javier Soria, Miguel Echague and Juan Ramón Corpas (Postales de Pamplona -Ed. Caja Pamplona-) and we failed to find this image, or any reference to the Publisher of this postcard. Nor have we found any reference to the postcard in the Works of Txartoa publications or indeed, any others. But perhaps some people out there could help us out because the figure of 260 postcards means that quite a lot were written and sent off in their time.
What we don’t know is if Mr. Culver recommended the fiestas to other parties or sent out any reporters to cover them or if he managed to acquire more images of Sanfermin for his archives…
A few years ago I went alone to Navarra in September to photograph the fiestas and to run a few encierros while I was there. Staying on the edge of Pamplona my morning drive daily took me south and west to Peralta, Olite and other typical Navarran towns where the fiestas come later in the summer. It was a colourful but sober week as I took hundreds upon hundreds of photographs. Later I realised that, despite being there, enjoying my time and occasionally meeting friends, I was not truly in fiestas but was on the periphery. I was an outsider looking in, poking my lens towards a familiar world but staying right on the threshold. Even when I put the camera down to have a drink or to run I was conscious of being alone, being on a schedule and being being restricted. I came back from Navarra with some beautiful photographs and some nice memories but with a sense of having been on assignment rather than on holiday.
On one of the mornings in Peralta I had a very scary but ultimately rewarding encierro – full pelt with nowhere to go and the horns of a toro closing in very fast as I timed my exit to perfection and breathed sighs that were both relief and exhilaration. It had been my best run of the week, the summer and probably much longer. In that post-run turmoil of emotions and memories I wanted what most runners want; I wanted to share it. It is a very human thing – we like to break things down and analyse them, to get perspectives, to relive and re-enact. I didn’t want to share to boast about the run, I just wanted to go through the process. But I was alone. So I shared my encierro with a caña and a coffee in a little bar and later, when the adrenalin had worn off and my need to share was gone, I drove off to the next fiesta feeling that, somehow, the experience was missing something. I felt as Charlotte Bront? did when she wrote; “Happiness quite unshared can scarcely be called happiness; it has no taste.”
The very notion of sharing almost hints at its own reward. Any modest event can be heightened by the multiplication factor of others having gone through the same thing. Mass participation events always seem to generate an incredible vibe or movement that far outstrips the quality contained therein, such to the point that people just want to be able to say that they were there.
Not that there is anything wrong with solitude. Thoreau said; “I never found the companion that was so companionable as solitude.” The truth and purity of an experience holds its integrity far longer if not shared – it is less likely to be tainted by exaggeration, embellishment or downright dishonesty. This is because our experiences are both fragile and fleeting. From their birth they instantly growing, distorting and gradually moving away from us as we try hard to hold onto them, keep them fresh and not lose their value. We share them to try to maintain or even increase their value – ultimately to keep them alive.
In our world of social media, instant data and the associated hunger to expand our personal brand, it is easy to share. Experiences fly around the globe in an instant, shrinking that world and allowing us to share on a phenomenal scale. And my, but we do like to share! We share updates of our every movement, our meals and every “funny” video uploaded to YouTube. We share philosophies, challenges and political viewpoints. We share our love, our hate and our indifference. The world is in a sharing boom, yet trawl through all of that data and what is its value? When you look back at the volume of content you have shared over the last 10 years or so, just how much of it is still alive for you in the same way? How much of it would you share all over again?
“Visibility without Value is Vanity.” Bernard Kelvin Clive.
I have shared a picture on social media a handful of times. It is a picture of me with two other friends on the opening day of fiestas in Tafalla, Navarra. We are wearing the traditional fiestas clothes, clutching drinks and singing our heads off. It is a wonderful image of a wonderful memory of a wonderful moment for me and I have obviously found it worth sharing more than once. Yet, the value is not in the sharing online as those who were not there cannot add to its value and those who were, already appreciate the value. What keeps that moment alive is the memory of the day itself and the warmth of the friendship that exists.
“Even though friends say they are interested in your life, they never really want to talk about you as much as you want them to,” said Charise Mericle Harper, and this hints at the belief that sharing can be a law of diminishing returns – the true intrinsic value is only represented by the picture. Look at the works of the surrealist artist Rene’ Magritte – he challenged us to look at things and to assess what they truly are, what they truly mean, what they truly represent and ultimately if they are worth what we think they are.
Something shared stays alive in its purest form for only a short time and what follows is that desire to keep it alive. Truly we don’t do that online but in our hearts. A couple of years ago our small group was in Buñuel in southern Navarra. We were running a few modest encierros. One of my dearest friends, and one I go back to my first year in Pamplona with, was with me and we were running in a quiet section of the streets. The dice roll fell favourably, the Gods of the encierro smiled on us and we ran up the street almost side by side, the pack of horns closing steadily, but almost benignly and we stepped out of the way calmly and together as the herd shot up towards the church of Santa Ana.
It was a moment we shared. We turned to each other and smiled with the mutual happiness and mutual understanding of a nice run that had gone well. “That’s why we do this,” I said to my friend, “that’s what it’s all about.”
We didn’t need to go over the run in detail. The value was much more philosophical than that. It was a nice run and we had shared it in the moment. No amount of analysis would improve it. Racking up hundreds of “likes” on Facebook would not give it extra value. Holding it in our hearts with a smile would be enough to sustain it.
There have been so many other trivial, short-lived, personal and fleeting moments, whimsical moments even, that I have shared in the 15 years of fiestas of Navarra, Spain and beyond. Imagine a time running down the street with a friend and singing the lyrics of a Rolling Stones song at each other. How do you share such a thing beyond the pair of you without somehow diminishing the true value? How do you explain the laughter gained from a comment in the moment, an atmosphere, a sudden piece of music, an amusing incident? Sharing is voluntarily given but also voluntarily received and while we can dictate the medium in which we launch our content, we cannot dictate how it will be interpreted. As Antonio Porchia said; “I know what I have given you…I do not know what you have received.” Often our good intentions will simply be met with ambivalence or worse, utter contempt. That is often the price of sharing. Sometimes the old ribald comment of “you had to be there,” is absolutely correct, so why try to breathe artificial life into something that has none?
I am with Jose Panate-Aceves and John Hayes with their; “Discover the fulfilment of intimate relationships with flesh-and-blood neighbours and teammates in a concrete place and time, and we escape the pressure of mainstream media to channel intimacy only as a virtual embrace.”
Somewhere in between the loneliness of solitude and the loneliness that drives over-exposure to the world through social media is where the true value of sharing sits. Only we can decide where that actually is, but perhaps the final judge is in reflection. Ultimately there is a beautiful joy in having shared something wonderful, but not over-shared it.
The Sanfermin.com offers include a guide and a breakfast and this offer can be further extended to include other activities such as a Tour of the Bullrunning Course or reserving a select viewing spot from which to watch the nightly fireworks display from the roof terrace of the Baluarte Building. Check out our Web Page and learn more about our team as well as our offers and products.
There is a good chance that you have already seen this TV commercial spot as it has made a reappearance just lately on TV. This video of the Citroen Cactus was first made more than a year ago by the Havas publicity company under the slogan “Efecto Made in Spain”. This TV commercial features a vehicle which is made in Spain and it shows how the different owners of this car model from around the world also acquire certain Spanish cultural values at the same time as they acquire the new car. The video advertisement has been made with great care and creativity and it reaches its maximum feature when the owner of this new car model finds his road blocked by a polar reindeer in the middle of a wooded trail and the car must come to a halt. The driver gets out of the car wearing a red necktie just like the Sanfermin runners and he entices the animal as if he was taking part in the running of the bulls in Pamplona and in this way he gets the reindeer to move off out of the way.
Some cool style is shown by this “runner” in order to get the reindeer to move out of the way so that the car can continue its journey.
On Twitter, Javi Villaverde, wrote us to ask us to comment on this TV commercial spot as he feels it is quite well made and he is surprised that it has not raised more comment in the media outlets. Well, we think he is absolutely right; the fact isthe advert is very well done and its wink to the Sanfermin Running of the bulls is perhaps its very best moment of all. From the comments that we have seen on the video that Citroen produced at the time of the first showings of this commercial, it seems a lot of viewers liked the advert and they particularly praised the “Sanfermin” scene. It has to be said that there were also some negative comments stating that it showed a stereotyped image of Spanish culture with clichédimages like the siesta, the paella and Sanfermin. The creative team obviously intentionally played with these clichéd images of Spain, but within a humorous context, which is also an important characteristic of life in Spain.
Havas aimed to decontextualize typical Spanish customs which are of course, not so typical in Germany (Siesta), Singapore (Paella) or Finland (Bullrunning) and which would provoke surprise and admiration. The agency prepared a good launching campaign and a follow-up which worked very well and which can be followed on Twitter or Facebook at the has tag #efectomadeinspain.
300.000 Citroen vehicles for 60 countries
At present, several models of the Citroen vehicle range are currently manufactured in Madrid or in Vigo –namely the Citroën C4 Cactus, C4 Picasso, Grand C4 Picasso, Berlingo, its Electric Berlingo and the C-Elysée. In 2015, 300.000 vehicles from this trademark were manufactured and they were sold in some 60 countries all over the world.
San Fermin. Two of the greatest words in language.
‘’And so have ended the Fiestas of San Fermin…’’ Some of the most melancholy words…but so they sang, and we sang too, with the closing ‘Pobre-De-Mi’ ceremony, as this year’s Fiesta faded explosively away – only in Pamplona can something fade away ‘explosively!’ – and thus the unbridled anticipation of July 5th gave way to the exhausted calm of July 15th.
And personally, due to circumstances, I have not had such a San Fermin in a feria long time, (gawd-awful pun…sorry!) Actually, not so much as ‘in a very long time’, but ever, in a way, as something special happened which I’ll come back to at the end of this piece, as it involves me and I usually prefer not to be the centre of attention but to participate, and be involved in, and then be swamped and finally submergedby fiesta.
Writing about myself is just not my thing, (although I have to occasionally) especially when it comes to writing such things as these Sanfermin.com articles, as I would rather write about other people and events than myself. I honestly like neither the ‘me’ in ‘media,’ or indeed the ‘i.’ Which leaves us with just the ‘da’ and I have no idea what that might mean. Hey ho, la-di-da…
But first things first. Along with the melancholy of saying goodbye to fiesta, we also had the sadness of saying adios, (hopefully, actually, just ‘hasta luego’) at a special Mass, to three true Sanfermineros who left us over the year. More of which below. And then, at the end of August, came the shocking and incomprehensible news of the oh-so-sudden and unexpected passing of that great running man, Julen Madina.
Some events are just unthinkable in their shocking “I just can’t believe it” suddenness, and Julen’s death was one of those. I didn’t know him too well but had a wonderful chat with him at Bar Txoko this year after one of the runs, and all I can say is he was on top form, with his personality, charm and charisma shining through. He was more interested in me than talking about himself. I may write more about him another time, but I did do a piece on him for these pages, after I’d had a long telephone conversation with him a couple of years ago, and, for those who are interested, you can read it here.
However, some words have to be said, and I shall leave them to his great friend Joe Distler. These words are not something Joe wrote after deep thought, for some newspaper or magazine, rather they were straight from the heart and direct off the cuff comments to me in a private email after Julen’s death. So with his direct permission…take it away, Joe.
‘As for Julen I have been in a state of total depression since he died. We had run together for over 40 years since we were practically kids. He was one of the first Spanish runners to recognize us as equals. This means nothing to young runners today but for years the Spanish, except for Atanasio, looked down on us. Miguel Angel Eguiluz, Chema Esparza, Jokin Zuasti, Javier Solano (yes, he was a good runner before becoming the voice of encierro,) Antonio Campeon and Julen came up to me one day before the run and one after another wished me “suerte”. It was like receiving the Academy Award. Hard to realize how important that was to us as foreign runners.
Then I was the first foreigner ever invited to the Runners’ Breakfast at Casa Paco on the 14th, followed by Jim Hollander and now we outnumber the Spaniards.
Over the years the friendships we have made with our Spanish bull running friends in Pamplona have become an important part of our lives. There is a mutual respect and understanding of living all the traditions of the encierro and sharing great moments both in the streets and elsewhere. All of us who run will cherish Julen as one of the great Maestros of all time and a run will not go by when we won’t think of him.
If Julen had died on the horns of a bull I would have been sad but not destroyed as we all know what dangers lies in running. But for a powerful force like him to go the way he did is debilitating. I had spoken to him three days before he died, talking about his recovery from being gored a few weeks before. He and his new Lady were planning on visiting me in my home in La Villajoyosa.
I am weak even writing this as I am so affected by his death.
Con un abrazo, Joseph.
And now, after that truly moving tribute, back to the article. Normally, as I said, I try not to stand out, so let’s start with a wee message to one very important person, who, as I said at one point pre-fiesta at a rather surprise event I was invited to participate in, “wasn’t exactly here, but is around here.” I’d arrived in town for one night on Friday 1st July, and the city’s band, La Pamplonesa, were having a pre-fiesta concert in front of the town hall that evening, to be followed by some local singing and dancing with Navarran jotas.
A little clip of La Pamplonesa, Friday 1st July 2016. The whole concert’s at the end, for those like me who love ‘em!
It was a proper concert too, with a big stage for the band, (it’s a big band.) Along with Director J. Vicent Egea, there are 46 musicians. That makes them bigger than The Rolling Stones! Hundreds of chairs were laid out for people to sit on with many others standing around or dancing, all enjoying the music. Little did I know that it had been arranged that I be invited onto the stage (see? Pamplona – they grab you and make you a part of them) to say a few words to everyone, between the end of the band playing the concert and the start of the jotas.
This was all down to being chosen by Kukuxumusu to be awarded their ‘Guiri del Año’ – Foreigner of the Year – prize. (More of which later, due to the previously mentioned unease with ’me, centre of attention, media stuff, etc.’) Gracias Manuman, for arranging that little bit of public speaking…you may be a cross-dressing six and a half foot tall blue bull sometimes but you’re also a cabron! So beware, Mr. Testis, because my revenge will be sweet… If you ever see me with a large pair of scissors, you’d better start running ‘cos I’m going to de-cojon you.
Oh, by the way, I’d also like to say thanks to Laly Jausoro and Jacobo Roura Formoso. Laly had something to do with all concert stuff and my culo being dragged up on stage to make my wee speech, (and she was the singer during the folk lore part of the concert) and she helped me just feel at ease, while Jacobo, with his calm presence and reassuring sense of ‘it’ll be alright on the night,’ (plus the supply of the odd beer or two!) helped settle any nerves I had left. Osasuna, guiriak!
However, “unaccustomed as I am to public speaking” etc, but having been in town at that stage for several hours I was by then fortified by some of the local medicine, (hic) so it all went okay. Even the song I attempted to sing. I kid you not… Well, they didn’t lynch me. But then, they couldn’t catch me… In all seriousness actually, folks, never in my wildest imaginings could I ever have dreamt that I’d be standing on a stage in front of Pamplona’s iconic Town Hall, before Fiesta, making a speech to hundreds of people after La Pamplonesa had played, and with some Navarran folklore singers and dancers. I have been in Dreamland and it is beautiful.
Oh, and did I write earlier ‘a wee message to one very important person?’ Wrong. To THE most important person. And luckily, at the end of my little speech (again – ‘cos I just like saying it – on stage, with the lit up Town Hall behind me…wonderful, I never could have imagined I’d be doing something like that in my beloved Pamplona,) I did actually remember to mention the fella.
Okay, I know, it’s me…but I have to. What a pleasure and an honour.
So to mi amigo Fermin, my friend, our friend: Please keep giving us your fiesta, San Fermin, please keep trying to protect us with your cloak, oh Holy Man, and please keep covering the town with your alegria, your happiness, you magic man. Some people say you never existed, some say that even if you did, you’re dead now…but I believe differently.
For exist you did and dead you are not. For I have seen the ghosts of fiestas past dancing up on the hill by the Church of San Fermin de Aldapa, (I have you know, folks, and I can prove it, for I see them often.) And, amigos, I have no doubt that our fabled saint is among them. After all, why wouldn’t he be dancing at his own party? Just come along with me during fiesta one darkness hour and I’ll show you some middle-of-the-night ghostly magic.
Sentimental poppycock perhaps? No. Not so much sentimentality as just San Fermintality and friendly fiesta sorcery.
So to my friend and our friend, like I said up on that stage a few days before Fiesta: to a man who isn’t exactly here but is around here ¡Viva San Fermin! Gora.
Now, onwards with the scribblings. From glorious ghosts of the past to friendly phantoms of the present.
NOEL CHANDLER, DAVE PIERCE AND RAFAEL TORRES ARBIZU.
Sadly, Fiesta began once again began with a Memorial Mass on July 5th dedicated to a few people, but I shall concern myself here with just three of them. Those three were of course true Sanfermineros. I wrote ‘Fiesta began…on July 5th’ as I always think of the 5th as ‘San Fermin Eve’ and literally, ‘the advance party.’
Los tres: the Gentleman that was Noel Chandler, the Joker that was Big Dave Pierce, and the Runner who was Rafael ‘El Gitano’ Torres, from Pamplona. I’ve already written about Noel and Big Dave before, over this past fiesta year, during their gentle dance from this Earth to that Fabled Fiesta in the Sky, so I won’t repeat myself again, suffice to say you can read about them both here, and here.
But while we’re here I must just say something about Rafa Torres. I never knew him but I did know of him, of course, as he was one of that group of runners who I aspired to be like when I first went in 1984. From the 1960’s to the ‘90’s he was a true bull runner, and he was from that evocative era when just about everyone ran in red and white, as you can see from the wonderful photo below. He’s the chap citing the bull with his faja, the red sash.
Just for the record, the Mass was presided over by Father Felix Garcia de Eulate, but I’d like to also make a special mention of Fermin Baron, known as Pitu to his friends and to many of us as Fer Min Txo, who spoke beautifully and movingly about Noel, ‘The Welsh Lion.’
From the very start, where he began with, “The enormous heart of the old Welsh lion, spent from so much living, has finally stopped beating…” to the very end, ‘’There’s nothing more to say, only that we love you very much, Mister Chandler…always. See you soon, my friend. Safe journey…” he caught the mood wonderfully and emotionally, while not forgetting the other two, either. Fantastico, Fer Min Txo.
Finally, once again one has to thank that dynamic fiesta duo Bunny, and JJ (he’s nicknamed ‘Dance-Dance’ although for the life of me I can’t imagine why,) Centurion, as during a trip to Pamplona for last New Year’s Eve, they asked the previous Pastor at the church, Padre Santos Villanueva, to schedule a mass for Noel. Then when Big Dave died this year he was naturally added, and Joe Distler asked for Rafa to be included too. Such is the wonderful big Pamplona family we are so lucky to be a part of.
And so before fiesta had even begun three more, and then after it, four, of Fiesta’s great Sanfermineros joined the ever growing table where those mythical fiesteros sit. I’d love to have seen the look on Bomber’s face as Noel arrived, running like in the old days, but with glass in hand…and not a drop spilt. While Big Dave would be making them all laugh… A Lifetime of Fiesta Well Lived, Caballeros, with, now, Canito up there to take the photos. ‘Adios,’ caballeros? I doubt that, only hasta luego…
FRANSISCO CANO LORENZA – ‘CANITO’
I know, I know, this is becoming a parade of the passed, but I have to mention just one more man. To quote the online version of the ‘El Mundo’ newspaper, of Wednesday 27th July, ‘The mythical photographer Fransisco Cano Lorenzo, at 103 years of age, has died in the early hours of this Wednesday.’ Yup, 103 years old…and over 70 of them photographing the world of the bullfight. No, I’m not really an aficionado and I didn’t know him but I’d like to mention him.
I saw him in Pamplona, of course, but never dared speak to him…after all, what do you say to a man who knows the taurine world inside out, and photographed Hemingway, Orson Welles, Sophia Loren and, according to him, ‘the most beautiful woman in the world,’ Ava Gardner? “Hola, señor, my name’s…aw, forget it…”
He lived an extraordinary life immersed in the world of toreros, toros and corridas, and although I’m not qualified to go into it, I wanted to write just a little about him. To remember a man who contributed much not just to fiesta, but to so much more in the wider taurine world…and also, for those who had never heard of him but are interested in these things, well, they now have another name and piece of history they can look into.
Too many families and friends have lost too many special Sanfermineros this past year (the fabulous El Guti died, too, and you can read his about his unique fiesta contribution here. Fiesta and el mundo taurino have lost some extraordinary folk, but such is life, sadly. To you who gave so much during Fiesta, gracias. I wonder, how does Paradise photograph, Mr. Cano? I’ll bet with all the beauty of Earth, plus with some colours unknown to us that you’ll capture magically on film.
And so to those mozos and maestros Rafael, Big Dave, Noel and Julen…may you not only Rest In Peace when you so desire…but Run In Paradise too when the mood takes you. Our beloved City Without Equal will miss you forever.
THE HEMINGWAY FIESTA HOUSE
Here’s one of those interesting (to me) snippets of fiesta history that I’ve been meaning to write about for a while, and now seems about the right time to pop into the past after the above catalogue of present day San Fermin sadness.
Before the 1959 fiesta, due to a slight mix up, Hemingway and part of his entourage had nowhere to stay. I’ve read many reasons why, in various books by a wife, an editor and even a daughter-in-law, about what might have gone wrong, but suffice to say San Fermin was approaching and they were homeless for fiesta.
In the book ‘How It Was’ by Hemingway’s fourth, and last wife, Mary, she makes no mention of any accommodation problem, just that when she and Annie Davis, (the wife of Bill, Americans who lived in Malaga) arrived in Pamplona they failed to find the house that had been rented for them, and so had to go on to the square to find everyone first. They were at a bar, of course…
In ‘Papa Hemingway’ by his then editor, A.E. Hotchner, he puts the blame onto Juanito Quintana, whose job it was apparently to secure bullfight tickets and hotel rooms, but had managed to get neither. Whether this is true or not, who knows, but Hemingway was not angry at all with his old friend, who he’d originally met on his first visits to Pamplona in the 1920’s. As I’ve noticed a couple of mistakes in Hotchner’s book, I’d like to think that blaming Quintana is one too. But…
… In ‘Running With The Bulls’ by Valerie Hemingway, (she later married one of his sons, Gregory) there is a clue that maybe Quintana was in charge of organising a few things. Valerie Danby-Smith, as she was then, was a young Irish journalist working in Madrid in 1959, and who that May had managed to get an interview with Hemingway. He invited her to join his crowd and come to San Fermin, even asking Quintana to get extra corrida tickets and a room for her.
She still wasn’t sure about going, but one mid-June day as she was walking past her former residence, the concierge ran out, informing her that a letter and a package had arrived for her. It was from Quintana, saying that he’d made a reservation for her in Pamplona, and that if she couldn’t come, could she let him know by June the 15th? It was now June 16th.
That decided it for her, fate took over, and she was now a part of the Hemingway cuadrilla, his ‘party’ or ‘gang.’ In a nice touch, the package that Quintana sent her contained a copy of Inge Morath’s book, ‘Guerra a la Tristesse,’ a book on bull-fighting. I don’t know why, but I’ve always liked what I’ve heard about Quintana, and that little kind act just adds to my admiration. Apparently Ernest had asked Quintana to send it to her, so she could learn a little about fiesta, and whatever the truth about any mix-ups with the accommodation, he got the book to Miss Danby-Smith.
So no mention there either of any mix up, but it does seem Quintana had been asked to arrange some things and why not, as he was an old friend of Ernest’s and a native of Pamplona. Whatever the truth, pre-fiesta the Hemingways, and their friends, Bill and Annie Davis, the American couple at whose house near Malaga they were based at that summer, were heading to Pamplona via some other bullfights but would apparently be homeless when they got there.
However, a small house was found for them quite quickly, and so just before fiesta the Hemingways’ and the Davis’s soon found themselves ensconced in the aptly numbered and named, 7, San Fermin Street. I doubt even Ernest himself could have made that up. And from now on the story gets a lot clearer, thanks to an article written by A. Ollo, that appeared in the special fiesta supplement from the Diario de Navarra newspaper of July 5th, 2009.
Inside the Casa de Fiesta
Whatever the mix up in accommodation, the house for that San Fermin nearly sixty sunlit summer’s ago was owned by a friend of Quintana’s, Jose Arrieta Lara, who lived there with his wife Patrocinio Mendizabal, and their four daughters. The newspaper article makes no mention of any problems that the Hemingways may have had with accommodation, or any failure on Quintana’s part, only that Ernest’s old friend wanted to surprise him.
The article goes on to say that Quintana was helped by one Rosalia Guerendain Larrayoz, part owner of a rather well known Pamplona restaurant that Hemingway frequented. Did I say ‘part owned?’ Yup, the other part owners being her eight, yes eight sisters, and whose collective nickname was ‘The Darlings’ which thus gave the restaurant it’s unofficial name.
Properly called ‘Hostal del Rey Noble’ it was more widely known by the nickname given to those nine sisters: ’Las Pocholas.’ Yup, ‘The Darlings.’ And with that house, so close to the bullring and by Half Moon Park, (surprisingly, still a little secret unknown by many foreigners, it seems to me) well, he must surely have provided that surprise. And as for the address, drunk or not…how could anyone forget that?
The only slight problem was one of space, as Hemingway also wanted a writing room, but with some rearranging of rooms, beds and mattresses, etc, a bit of furniture borrowed from relatives and making use of the dining room and basement, the Pamplona family managed to remain in their house while the Hemingways and their friends Bill and Annie Davis were all put up to everyone’s satisfaction.
So a bit crowded it may have been but everyone seems to have been happy and Hemingway got his writing room, too. Quintana supplied ice every day for the great man’s drinks as there was no fridge, and breakfast was included in the price but apparently Hemingway never took it. He was always first out of the house, either to go to Bar Choko, (as it was spelt then) or to watch the encierro…and sometimes no doubt both.
I haven’t seen that wee house on any of the official Hemingway tours, although I could be mistaken, but every time I pass the house I say a little thank you to him. The magnificent bust of Hemingway in front of the bull ring is great and imposing and is where many folk obviously go to pay homage, or just to give a nod and a wink, or raise a glass to say ‘salud’…but my little spot is an almost forgotten house where, for all his many faults, a great man, who essentially brought us all here to this magical town, was, even though he didn’t know it then, to spend his final ever San Fermin. Muchas gracias, y salud, Don Ernesto.
Okay…it’s Guiri of the Year time…
As many people know, for many years now, (this year was the thirteenth,) Those Magnificent Madmen and their Kukuxumusu Machine have chosen someone to be rewarded as their Foreigner of the Year. There is no real criteria to be given it, you just have to go to Fiesta, love Fiesta, or just have some connection with it…really, it is just Kukuxumusu’s choice.
Now, for those who don’t believe, as I’ve mentioned and written often enough practically since I started writing these articles, that ‘being the centre of attention isn’t really my thing,’ let me tell you that’s the truth. It’s one of the reasons I had asked not to be chosen as the GdelA for several years now when the subject was brought up. But this year, for reasons too unimportant to go into here, when I was offered it…well… I had to accept.
Despite my natural shyness and media-phobia…actually, it’s not a ‘phobia’ it’s just that I think there’s too much of it and too many people seem to want to be seen, or known, or famous or just be some kind of ‘celebrity.’ There are a few reasons why I said yes, but the main one was just to say thanks to all the inmates at the Kukusylum who have been so nice to me over the years, from every shop worker all the way to the (big blue) boss, Mr. Testis. But especially to those who didn’t just encourage me to write articles for Sanfermin.com, (thank you Koldo) but those who have had to put up with my ugly mug showing itself all the time on the premises.
Thanks especially have to go to Manu who has had to deal with me and my computing neanderthalismic numbnutting nutjobbing numptyism (yes, these are all real words, all taken from the Libyan – Basque Dictionary that I’m currently compiling.) He has been a patient and kind fella these last few years putting my articles together from the jumbled jigsaw of scribblings and shots (and awful if artful alliteration) I send him…but best of all he has become a fantastic friend.
Now, without going into the politics of things, and the why’s, why nots and wotnots, there were, as many of you know, two Guiris of the Year this fiesta, awarded by two different companies. Basically, Kukuxumusu were taken over, some people left, but one of the original three who founded the company, Mikel Urmeneta, the comic, cartoon, and design genius, has started a new one, Katuki Saguyaki, and he wanted to also continue with the award and keep the original name ‘Foreigner of the Year’ too, but use it with his new company.
Yup, one guiri was a popular foreign Sanferminero who has being going for decades, is well known in Pamplona and indeed around the world for his work, (indeed, his ‘art’, for that is what it is) due to just how good it, and he, is…and the other was Jim Hollander. Just kidding folks…and sorry Jim!
Jim Hollander thoroughly deserved his award…(congratulations again, fella!) as he really is well known in Pamplona, had a photo of his chosen for the feria poster in 2002, and apart from being involved in a couple of other books, has also had a couple of his own published, including that classic Pamplona photo-book (but read the words from the various contributors too, they’re superb) ‘Run to the Sun’ and the most recent, ‘From Pizarra to Pamplona,’ which I read pre-fest and brought with me to fiesta to ask Jim to sign for me. Which he did, along with a lovely inscription.
Jim Hollander is a Sanferminero through and through, a true aficionado to hoof, along with being a world respected and renowned international photographer. Not bad, eh? And thus it goes without saying, but a richly deserved Guiri of the Year also. So, two Foreigners of the Year. I hope in our different ways we complimented each other.
Oh…and me? Oh…dear. I’ve written a few articles from things I’ve read, robbed and plagiarised, and self-published a couple of wee tales but that’s about it. Oh, there is one more thing though…I do love, love, LOVE Pamplona very, very much. I love its people, its saint and its fiesta to the moon and back…and that was enough for me to be awarded Kukuxumusu Guiri of the Year. Or it could have just been for my staggering good looks.
And do you know what? It was an honour, a pleasure and just a bullring shaped (all round) great fun-filled fiesta thing to be awarded and be involved with. Yes, even the media stuff was a hoot, although some folk who saw my ugly mug must have wondered what the heck El Hombre Elefante had to do with fiesta…anyway…I’m sorry you may have had to contend with my unedifying visage on the tele, (jeez, I’ve actually been told that I don’t even have a face for radio!) or in the papers here and there, but remember, it’s always glass half-full time for me, fiesteros…so it was only for a smidgen of those 204 glorious hours of fiesta.
So once more my thanks to Kukuxumusu, and especially Manu, for choosing me as their Guiri del Año. Hope the cheque didn’t bounce, fellas. Thanks for a great Guiri Day Lunch at the Nainere on Saturday 9th where there were about 50 people attending and I met many other previous GdelA’s, some of whom I knew, and some I didn’t, but where it was obvious that to actually win the thing you have to be slightly off your rocker.
Ah, yes, being ‘off ones rocker’ reminds me to thank my personal invitees who ditched whatever they really wanted to do and came along in support. At least, I hope it was in support, ‘cos I actually think they came not just a free lunch but loads of free alcohol, too. Heck, why do you think I showed up?! Salud, Sanfermineros, I truly appreciated it.
Before I go, a couple of other things happened that made it a truly unique fiesta. I might even include a photo or two… (Look, as I’m talking about me for once I might as well take advantage and dilute a couple of pictures that I’m in with the friends about to be mentioned below.) Back in ’84 when I arrived for my first ever fiesta, little knowing it would be the beginning of a life-long love affair, one of the people I met on the patch of grass opposite Bar Txoko, where the gang I fell in with basically lived for the whole of fiesta was also there for his first year.
His name was Ike del Rosario (it still is) and he’s from California. He remains a great mate and one of my favourite people on the planet, but after the first ten years or so he hasn’t been able to make it back due to, well, life. He made it for New Year’s Eve once, (where he dressed up as Elvis…think ‘Filipino Elvis!’) and I think one more fiesta around 15 years ago. Actually, 1999 rings a bell.
Anyway, before fiesta the gang were in San Sebastian, and imagine my surprise and deep joy when, around midnight, in Constitution Square in the Old Town…there was Ike. Unbelievable. A couple of people knew but had kept it a secret but I had no idea. It all added to the magic of this year’s fiesta.
There was even more to come as there were two more folk there who hadn’t been for I think over twenty years, although everyone had known they were coming for months…James and Maryann from Brisbane. (Although I’d seem them in Australia since.) I first met James in Pamplona in 1986, in the gutter, basically, and thirty years later…
And as if with those three things couldn’t get better, well, they could. An old friend from England who had never been and who was now married and living in America came over, too. So to Tim Pollard, (and son Fergus who he came with) it was great to see you after so long and thanks for also being one of those who just made this year’s San Fermin extra special. And with one Mark Williams returning after nearly thirty years, and the ever present Alan Huggett, that meant four Reigate Hillbillies were in Pamplona for the first time. Happy Daze…
To everyone who had the good grace and just all round sense of fun to say congratulations or ‘felicidades’ to me for being Kuku’s Guiri of the Year…thank you. Just like the unknown folk from Pamplona who stopped me in the street to say something nice, or even to take a ‘selfie’ with me…you ‘got’ it. Thank you. (I know, I know…people wanted a selfie with me, for fiesta’s sake!) I was hailed by complete strangers who laughed with me, joked with me and drank with me. Like I said, Pamplona really does slip off it’s axis… What fun.
‘Cos that’s all it is about, being Foreigner of the year…a bit of publicity for the company, of course…but a whole lot of fun for the victim…me! And I have my ‘trophy’ proudly placed in the living room, and I’m going to keep my special kuku-tiara on until next year’s Guiri Day Lunch…when, even though they will have chosen the 2017 GdelA in June, I shall proudly, and officially, relinquish my crown, and pass it on to whoever is lucky enough to be the next San Fer King or San Fer Queen.
Well, we are just about there, chicos. That’s nearly the end of this, and it’s certainly enough of me. The next puli, (for that is what these articles are called) will be back to the happy normal – almost nothing about me but mostly loads about everything else.
In certain photos the streets of Pamplona appear to be lined with gold, but of course the Fiesta of San Fermin can’t be all silver linings. Fiesta may seem like a fairy tale sometimes but it is real life too, after all. But during what was, in one small way, ‘my year’ I felt like I was treading on cobbles made of gold lined by pavements edged with silver.
Pamplona, I love you. You’re a dreamland, the pot of gold at the end of the rainbow, heaven on earth, and as a city you’re the genie out of the bottle, with dancing giants, magic people and running bulls. Pamplona and Fiesta is a magical, mythical marvel and inhabited by some of the best people on the planet and I’m a lucky lad and we’re a lucky bunch.
This video of the entire La Pamplonesa pre-fiesta concert in front of the Town Hall is for everyone, but especially for the maestro, mozo, borracho and golfo and all round huevo bueno and mi amigo, Rolf von Essen.
Canito is going to be missed. Indeed, he had already stopped coming to his annual date with Sanfermin due to his health problems. But up to a couple of years ago he never failed to keep his yearly rendezvous with the fiestas all down the decades. We have a special place in our hearts for him because, in 2010, Sanfermin.com dedicated its special Sanfermin tee shirt to him with lots of photographers of the Running of the Bulls and with an image as spectacular as it is hair-raising, taken at a Running of the Bulls from the 1950s. Two years later, Kukuxumusu paid homage to this same photographer when Francisco Cano celebrated his hundredth birthday. Since then, there were two occasions when we had to refute news of his death. Unfortunately, this third time it is really true. And we shall certainly miss him a lot. The realization that we will never again see his characteristic white cap protruding over the wooden fence in the bull ring will take some time to assume. And indeed, nor his favorite camera, which had an N painted over so that it read “Cano” instead of Canon.
More than a thousand visitors from 32 different countries enjoyed the San Fermín fiestas thanks to the services offered by Destino Navarra and Sanfermin.com, including the use of 98% of the balcony places on offer for the Running of the bulls.